Decades later, vivid memories of that downtown scene inspired Boch to write his memoir, The Mudd Club. It changed my life and now almost 40 years later, here we are talking about a job I had for a little less than two years. Writing the book — and gathering dozens of photographs — took seven years, more than three times the amount of time Boch worked at the club. He would always be out. He would come to the Mudd Club semi-regularly and it was always great to see him, a sweet, soft-spoken kind of guy. Funny in a very, very, very understated way.
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The Mudd Club was a nightclub in the TriBeCa area of New York City, USA, that operated from to as a venue for underground music and. It was here that the Mudd Club opened its doors in – and became second home to Lower Manhattan’s underground scene. And in the Lower Manhattan underground scene, one club in particular became an institution: the Mudd Club. For Jean-Michel Basquiat it was.
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The loft itself was owned by Ross Bleckner, the fourth floor was a gallery curated by Keith Haring, and it epitomized the polar opposite of the glitz and glamor of Studio Of course with the influx of downtown celebs like Basquiat, Madonna when they were dating , Debbie Harry, Klaus Nomi, David Byrne, Ginsberg, Burroughs and of course Andy Warhol, the club morphed into an elitist spot with a strict door policy.
I have a little coke but feel a bit awkward offering just a few lines. I find Hal Ludacer for a dose of moral support, grab Bowie and we escape to the basement. The cocaine disappears quickly. Back upstairs an old reel-to-reel projector perched on a shelf flickers out-of-sync images of Motown. Jean-Michel Basquiat stands under the projector, his back to the wall, looking out at the dance floor grinning.